Porcelain dreams

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Dainty flowers, tamed but never the less bouncy voluminous skirts, floating Chantilly lace, the sheer lightness and fragility of it all… The Giambattista Valli Fall 2013 couture show was a fantasy every woman would adore. Yes, we live in an era of minimalism, but just like with any rules and era, there must be a visual and emotional escape, an element of magic, the fairy tale to be lost it, to dream, to feel…

Inspired by the Europe’s renowned porcelain workshops, the collection included the Capodimonte whites, Wedgewood blues, Sèvres and Meissen blossoms… From Italy, to Britain and France, Germany – it was a beautiful journey through history and a courteous bow to the pure art of haute couture.

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Photo source: wwd.com, fashionising.com

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Trends 2013: wearable blooms

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You know, apart from one dress covered in strawberries so tiny that they can only be recognised up-close, I don’t own or wear anything floral. I thought about it once or twice, but dismissed at the end.

And yet I adore wearing flowers. I always did. Years ago it was a floral wreath made with delicate wild flowers on a daily basis and worn proudly as if it was a crown. As soon as the first blooms appeared we would be off to the nearest park to gather dandelions and plants of unknown origin to braid them into beautiful and naive headbands, hands covered in brown spots from the dandelion milky juice, not that we ever cared… In summer our original monochromatic choice would transform into a rainbow with blue cornflowers, white daisies, yellow marigolds and pink cosmos, all so fragrant, intoxicating and, for any kid who read Andersen’s Thumbelina, mesmerising beyond belief.

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As a grown-up, I still wear my petals, mostly as jewellery or shoes, not so secretly dream of the most beautiful Valentino bag and, of course, dresses and blouses.

I think my love for this type of clothes began with the stunning Dolce&Gabbana gowns from their Spring 2009 collection and was later fuelled by Valentino designs that I saw last year and an antique hat covered in teeny blossoms, each secured with a glass bead – I almost bought it, just to look at, but having marinated the idea overnight, decided to be sensible and… hat-less.

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Dolce & Gabbana Spring/Summer 2009

So here I am, fascinated with the clothes that feel like a step into a dream and becoming a part of it. There isn’t any other way to explain it – it’s purely about spring, new beginnings, beauty and love. And memories that I can touch, I guess.

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Alexis Mabille | Oscar de la Renta | Bottega Veneta | Giambattista Valli | Agnes B | Blugirl Blumarine | Alexander McQueen | Chloe | Badgley & Mischka Ready-to-Wear Spring/Summer 2013

 

Photo sources: Elle US March 2013 (image has been altered, please refer to the blog if using), Marie Claire France March 2013, style.com, elle.com

Spring 2013 bags: pattern on pattern trend

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There’s a new trend in town. The bags that match the clothes were seeing in many Spring 2013 ready-to-wear collections,  from subtle colour coordinated ensembles at Elie Saab, Giambattista Valli and Chado Ralph Rucci, to full on pattern-on-pattern doubles at Louis Vuitton, Guy Laroche, Carven and Gucci. No longer it’s about shoes and bags, gloves and bags, belts and bag or any particular colour… Now your arm candy requires an identical twin of a dress or vice versa.

Although I can easily picture wearing the monochromatic mixes, I feel that it would take a very stylish girl to pull off the pattern-on-pattern combos. What do you think?

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Guy Laroche Spring/Summer 2013

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Carven Spring/Summer 2013, Guy Laroche Spring/Summer 2013

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Louis Vuitton Spring/Summer 2013, Diane von Furstenberg Spring/Summer 2013

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Chado Ralph Rucci Spring/Summer 2013, Giambattista Valli Spring/Summer 2013

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Gucci Spring/Summer 2013, Gianfranco Ferre Spring/Summer 2013

Photo source: vogue.com, elle.com