Dressing up for New Years night (and the year of Horse)

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I have acquired a habit of reading horoscopes at school when I first discovered a copy of a detailed Zodiac calendar copied on a typewriter (!) by my mum. It sounded like a fairy tale based on true stories and seemed to be quite a good source of information, particularly when it came to love life that was, until then, mainly  based on “loves-me-loves-me-not” daisy petal pulling act of magic (and a few other tricks shared between little Russian girls – pretty innocent, I assure you!).
 
I believe in horoscopes only when I want to, otherwise I happily skip through months without developing any need to read about my future. Then, as another year comes to a close, I begin to wonder if I should have a peak, mainly for the good and bad news as well as fashion-related styling ideas.
 
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2014 is, as you may already know, the year of Horse, which some sources refer to the “Blue wooden horse” and while others favour the emerald green animal – either should be welcomed in a company of good friends and a festive menu that, apart from all the tasty delights you’ve prepared, includes plenty of fresh fruits, vegetables and champagne.
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For an outfit, wear something blue, green, dark purple or any hues associated with a horse such as chocolate brown, caramel, black or cream. Definitely avoid bright colours, especially orange, pink, red and yellow. Your dress should be made of natural fabric, look fluid, soft, light, almost ethereal and feel as comfortable as a beautiful evening dress could possibly be.
 
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Your accessories can include anything made from leather or suede, wood, or precious stones – pearls or aquamarine. The adventurous and most stylish girls among us shouldn’t ignore the super-sensual harness-inspired belts or adorn their hands with less-provoking and more delicate, but equally chic jewellery.
 
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Keep the make-up and manicure classic, elegant and natural – the Horse, being a peaceful creature of nature, doesn’t like anything too bright, sharp or over the top.
 
Valentino Couture Fall 2013 Backstage Natural Make Up

Valentino Couture Fall 2013

Chloe Fall 2009 Details sasha pivovarova

Chloe Fall 2009

Sleek ponytail will make a perfect hair-do, though you can also try braids (decorated with some delicate ribbons and/or flowers if you like) or curls as long as they resemble a beautiful glossy mane rather than beehive.
 
Herve Leger by Max Azria Spring 2012 Details ponytail hair

Herve Leger by Max Azria Spring 2012

Marchesa Spring 2012 Details plaited ponytail

Marchesa Spring 2012

Dolce Gabbana Spring 2014 Backstage braid flowers hairdo

Dolce & Gabbana Spring 2014

Versace Spring 2012 Backstage hairstyle

Versace Spring 2012


Photo source: Vogue China December 2005 (photography: Solve Sundsbo), Vogue US September 2004 (photography: Steven Meisel; styling: Grace Coddington), stylebistro.com

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Claudia Schiffer in Vogue 1993

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I woke up to a thick layer of fog outside my window, a gentle kind of morning and a need for some beautiful simplicity, and so I picked this editorial from a 1993 issue of US Vogue. It may not be glossy and perfectly polished, but when a story is created by three iconic fashion figures - Claudia Schiffer as a model, Steven Meisel behind the camera and Grace Coddington – to style, the grainy surface fades away and only true beauty remains.

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Photo souce: Vogue US April 1993, Claudia Undone (photography: Steven Meisel: styling: Grace Coddington) via tfs

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Stylish quote

natalia vodianova wearing dior couture in vogue us october 2008 by demarchelier

“There is something special about clothes that are made by women (at the atelier) and not by machine. They do something for the clothes. There is a huge difference when I see a suit, or pants and a shirt being done by the atelier, and the same pieces done by a factory. It’s an emotion. Zara can’t copy that.”

Alber Elbaz

 

Photo source: Natalia Vodianova wearing Christian Dior Couture by John Galliano in Vogue US October 2008 (photography: Patrick Demarchelier; styling: Grace Coddington)

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Christy Turlington as Jean Seberg in Vogue 1990

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While the world is talking about Oscars, I am here to share a story of a movie star. Christy Turlington posing as Jean Seberg for the October 1990 issue of Vogue, styled by Grace Coddington and photographed by Ellen von Unwerth.

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Photo source: Vogue US October 1990

Seasoned simplicity in Vogue US 1995

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My choice of today’s editorial is obvious – the time of London fashion week required something British, and so I picked the Seasoned simplicity, a sweet, romantic and very much London-based story featured Kirsty Hume and her husband, Donovan Leitch, who, for some reason, reminds me of young David Bailey… I wonder if it’s just me or you, too, can spot some similarities here…

And talking of similarities… I can’t help but feel that this editorial had a strong influence on some of the recent ones including Natalia jumping in her Prada dress in the Grand Affair and a story published in either Vogue or Love in 2012 – I’m currently going through my extensive collection to double-check and confirm the latter.

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Photo source: Vogue US September 1995

Nadège Du Bospertus in Vogue 1991

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Full of summer sunshine, charm and joie de vivre, this is a story of many loves. The love of Nadège Du Bospertus and her infectious smile. The love of Grace Coddington’s ability to erase the boundaries of time. The love of Demarchelier’s photography. And, of course, the love of the clothes used for the shoot and that checked top and puff taffeta skirt ensemble that reminds me of the Louis Vuitton Spring 2013 collection that I’ve been in love with.

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Photo source: Vogue US March 1991

12 days of Christmas in Vogue US 1998

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I couldn’t think of a better editorial for my Monday post that falls on Christmas Eve. Gorgeous Shalom Harlow & Co. in a story styled by the one and only Grace Coddington and photographed by Steven Meisel for the December issue of US Vogue 1998. 12 days of Christmas, Vogue style.

Magical, fabulous, sparkling, festive and perfect in every single way.

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Photo source: Vogue US December 1998