Kate Moss in Vogue UK May 2002

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Hands down, this editorial from the May 2002 issue of British Vogue is one of my absolute favourite Kate’s work. I think her and Corinne Day who photographed the story definitely had some kind of chemistry that made every shot unforgettable.

Last Thursday Kate Moss celebrated her birthday, so I wanted to publish the Freedom Child to celebrate the occasion and also let you know that, should you find yourself in London and are a fan of Kate, you can see an exhibition formed of 10 iconic images of the model from the age of 14 to 39 chosen by Russell Marshall.

A journalist turned artist, he spent months looking through the fashion archives selecting the most iconic photos of Kate to present at the Imitate Modern Gallery alongside a mini-biography he has written for the event.

The “Kate Moss: 40 - A Retrospective” exhibition is open until 15 February 2014 and admission-free.

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Photo source: Freedom Child, Vogue UK May 2002 (photography: Corinne Day)

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Stylish quote

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“A garment can be very beautiful, but if you don’t feel good in it, it will never look beautiful. Of course it’s important that you like what clothes you wear: clothes are the first thing we know about each other. We don’t meet each other naked.”

Ann Demeulemeester

 

Photo source: Vogue US February 2002 (photography: Carter Smith)

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Ballet fantasy in Vogue China 2012

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I wanted to continue the subject of ballet with the Dancing in the soul editorial photographed by Daniel Jackson for Vogue China. Gorgeous, isn’t it?

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Photo source: Dancing in the soul, Vogue China May 2012 (photography: Daniel Jackson; styling: Tiina Laakkonen) via fashiongonerogue

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Stylish quote

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“Fashion is about longevity and doing your work. It isn’t about winning or losing. It’s about process – keeping it going.”

Alber Elbaz


Photo source: Vogue Australia January 2014 (Hilary Rhoda photographed by Boo George & styled by Tonne Goodman)

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Going native | Vogue 1997

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Looking at these photos of Kirsty Hume and Stella Tennant taken in Scotland by Mario Testino back in 1997, I wish I could write something beautiful and poetic, because this is a kind of treatment the editorial truly deserves… I chose it because I loved the first shot, the glow in the last one and the enchantment of the entire story that seem to flow from image to image…

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Photo source: Vogue US September 1997 (photography: Mario Testino)

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Stylish quote

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“Fashion is not just about decoration, it’s much deeper. Pure can be rich and opulent, too. The purer it gets, the more quality you need. Minimal, when it’s dry and has no energy, looks poor.”

Jil Sander

 

Photo source: Vogue Nippon May 2009 (photography: Nathaniel Goldberg; styling: Marie Chaix)

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Happy New Year!

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Isn’t it amazing how we fall asleep one night to wake up in a completely new year, full of unknown, unwritten, unexpected…

All I want to wish you (and myself, to be honest) is that whatever “uns” are out there waiting for us, they are the sparkling, surprising, exciting and joyous moments, full of smiles and not tears, positive vibes and not heartaches, zest and not pain, hopes and never – disappointments.

Happy New Year, my dearest darlings!

Photo source: Kate Moss styled by Carine Roitfeld and photographed by Craig McDean for the December 2005 issue of Vogue Paris

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Dressing up for New Years night (and the year of Horse)

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I have acquired a habit of reading horoscopes at school when I first discovered a copy of a detailed Zodiac calendar copied on a typewriter (!) by my mum. It sounded like a fairy tale based on true stories and seemed to be quite a good source of information, particularly when it came to love life that was, until then, mainly  based on “loves-me-loves-me-not” daisy petal pulling act of magic (and a few other tricks shared between little Russian girls – pretty innocent, I assure you!).
 
I believe in horoscopes only when I want to, otherwise I happily skip through months without developing any need to read about my future. Then, as another year comes to a close, I begin to wonder if I should have a peak, mainly for the good and bad news as well as fashion-related styling ideas.
 
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2014 is, as you may already know, the year of Horse, which some sources refer to the “Blue wooden horse” and while others favour the emerald green animal – either should be welcomed in a company of good friends and a festive menu that, apart from all the tasty delights you’ve prepared, includes plenty of fresh fruits, vegetables and champagne.
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For an outfit, wear something blue, green, dark purple or any hues associated with a horse such as chocolate brown, caramel, black or cream. Definitely avoid bright colours, especially orange, pink, red and yellow. Your dress should be made of natural fabric, look fluid, soft, light, almost ethereal and feel as comfortable as a beautiful evening dress could possibly be.
 
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Your accessories can include anything made from leather or suede, wood, or precious stones – pearls or aquamarine. The adventurous and most stylish girls among us shouldn’t ignore the super-sensual harness-inspired belts or adorn their hands with less-provoking and more delicate, but equally chic jewellery.
 
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Keep the make-up and manicure classic, elegant and natural – the Horse, being a peaceful creature of nature, doesn’t like anything too bright, sharp or over the top.
 
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Valentino Couture Fall 2013

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Chloe Fall 2009

Sleek ponytail will make a perfect hair-do, though you can also try braids (decorated with some delicate ribbons and/or flowers if you like) or curls as long as they resemble a beautiful glossy mane rather than beehive.
 
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Herve Leger by Max Azria Spring 2012

Marchesa Spring 2012 Details plaited ponytail

Marchesa Spring 2012

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Dolce & Gabbana Spring 2014

Versace Spring 2012 Backstage hairstyle

Versace Spring 2012


Photo source: Vogue China December 2005 (photography: Solve Sundsbo), Vogue US September 2004 (photography: Steven Meisel; styling: Grace Coddington), stylebistro.com

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Helena Christensen in Vogue UK 1994

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One of the most stunning models of all times, Helena Christensen celebrated her birthday on 25 December and though slightly overdue, I wanted to celebrate the occasion with an editorial photographed by Mikael Jansson for the March 1994 issue of British Vogue. Secretly (until I told you) it was also the way Helena worn the white suit outfit that made me choose this story – couldn’t help it for I do have a soft spot for men’s wear and beautiful tailoring.

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Photo source: Vogue UK March 1994 (photography: Mikael Jansson; styling: Kate Phelan)

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Karen Mulder in Vogue UK 1992

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It is really the first shot that I like the most – it doesn’t just look wintry, windy and cold, it feels like that. And then, of course, the shelter of a tightly wrapped coat – exactly how started wearing mine after moving countries, cocooning myself in an extra layer of luxurious wool.

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Photo source: Karen Mulder in Vogue UK October 1992 (photography: Mikael Jansson; styling: Jayne Pickering)

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